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home·artworks·View Towards San-Giorgio, Venice
View Towards San-Giorgio, Venice by Adam Baltatu

plate no. 8430

View Towards San-Giorgio, Venice

Adam Baltatu

oilImpressionismgenre paintingfigureswaterbuildingskyarchitecturelandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing reflections in water. It also provides practice in rendering figures in a loose, impressionistic style.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, including the building, figures, and horizon line.

  2. step 02

    Block in the main areas of color: sky, water, building, and foreground.

  3. step 03

    Establish the basic values, focusing on the light and shadow patterns.

  4. step 04

    Begin refining the shapes of the building and figures, adding details as needed.

  5. step 05

    Work on the reflections in the water, using broken brushstrokes to create a sense of movement.

  6. step 06

    Add details to the foreground, including the railing and bench.

  7. step 07

    Adjust the overall color harmony and value relationships.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · viridian · burnt sienna · cadmium red light

Mix various shades of gray for the sky and water by combining white, umber, and a touch of blue. Use yellow ochre and burnt sienna for the building, and add white to lighten the tones. Mix greens by combining yellow ochre and viridian.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details
  • →Creating too much contrast
  • →Ignoring the atmospheric perspective
  • →Making the reflections too literal

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#6 round brush
  • ·#4 filbert brush
  • ·palette knife

optional

  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-textured canvas to enhance the painterly effect. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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