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home·artworks·View to Saint Mark's Square, Venice
View to Saint Mark's Square, Venice by Franz Richard Unterberger

plate no. 6307

View to Saint Mark's Square, Venice

Franz Richard Unterberger

oil, canvasRomanticismcityscapewaterboatsskycityscapebuildingsfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing reflections in water. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the horizon line and the basic shapes of the boats and buildings.

  2. step 02

    Block in the sky with a light blue-gray wash, adding subtle variations for clouds.

  3. step 03

    Establish the water with horizontal strokes, using darker blues and greens closer to the foreground.

  4. step 04

    Paint the distant buildings with a muted, hazy palette to create atmospheric perspective.

  5. step 05

    Add the boats, starting with the larger shapes and gradually adding details.

  6. step 06

    Create reflections in the water using vertical strokes and slightly darker values.

  7. step 07

    Refine the details of the figures and architectural elements.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and light.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · burnt umber · raw sienna · cadmium red light

Mix various shades of blue-gray for the sky and water by combining ultramarine blue, titanium white, and a touch of burnt umber. Use yellow ochre and white for the hazy buildings in the distance.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Making the colors too saturated, especially in the distance.
  • →Failing to create a convincing sense of depth and atmosphere.
  • →Not simplifying the reflections enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

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