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home·artworks·View over the Gulf of Naples
View over the Gulf of Naples by Albert Flamm

plate no. 3700

View over the Gulf of Naples

Albert Flamm

oilRomanticismlandscapeseabuildingsfigurestreesskylandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex foliage with subtle color variations. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes: the building, the sea, the tree, and the figures.

  2. step 02

    Establish the horizon line and the basic composition of the landscape.

  3. step 03

    Block in the large areas of color: the sky, sea, and land, focusing on the overall value structure.

  4. step 04

    Develop the sky with soft gradations of color, capturing the subtle hues of the sunset.

  5. step 05

    Refine the details of the building, paying attention to the light and shadow.

  6. step 06

    Add the figures, focusing on their placement and proportions.

  7. step 07

    Develop the foliage with layers of color and texture, using both wet-on-wet and dry brush techniques.

  8. step 08

    Add final details and highlights to create depth and realism.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · cadmium yellow · alizarin crimson · viridian

Achieve the soft sky colors by mixing white with small amounts of blue, crimson, and yellow. Create the greens for the foliage by mixing blue, yellow, and umber. Use umber and white to create the tones for the buildings.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·dry brush texture
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Neglecting the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a pre-toned canvas to speed up the painting process.

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