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home·artworks·View over the Grand Canal in Venice. In the distance the church Santa Maria della Salute
View over the Grand Canal in Venice. In the distance the church Santa Maria della Salute by P. C. Skovgaard

plate no. 2902

View over the Grand Canal in Venice. In the distance the church Santa Maria della Salute

P. C. Skovgaard, 1854

oil, canvasRomanticismlandscapecanalbuildingswaterskyboatscityscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also offers practice in depicting architectural details and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective lines of the canal and buildings.

  2. step 02

    Block in the large shapes of the buildings, sky, and water with thin washes of color.

  3. step 03

    Establish the values of the sky and water, creating a gradient from light to dark.

  4. step 04

    Begin adding details to the buildings, paying attention to the light and shadow.

  5. step 05

    Paint the reflections in the water, using vertical strokes and slightly blurred edges.

  6. step 06

    Add the boats and figures, keeping them in proportion to the buildings.

  7. step 07

    Refine the details of the foreground elements, such as the wall and plants.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · raw umber · titanium white · cadmium red

secondary · yellow ochre · burnt sienna · ivory black

Mix blues and browns with white to create the sky and water. Use yellow ochre and burnt sienna for the buildings, and add red for the rooftops. Vary the color temperature to create depth.

techniques

  • ·atmospheric perspective
  • ·linear perspective
  • ·rendering reflections
  • ·glazing
  • ·scumbling

common pitfalls

  • →getting the perspective wrong
  • →overworking the details
  • →making the colors too saturated
  • →not creating enough depth in the sky and water

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine
  • ·linseed oil
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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