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home·artworks·View on the River Var
View on the River Var by Winston Churchill

plate no. 1098

View on the River Var

Winston Churchill

oilImpressionismlandscapetreesriverlandscapemountainsskyfoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective to depict distance.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, river, and distant mountains.

  2. step 02

    Block in the sky with light blue, allowing some white to show through for clouds.

  3. step 03

    Establish the general color and value of the distant mountains, using a muted blue-purple.

  4. step 04

    Paint the background field with a mix of yellow, green, and brown, varying the tones to create depth.

  5. step 05

    Begin layering colors on the trees, using a mix of greens, browns, and yellows, paying attention to light and shadow.

  6. step 06

    Paint the river with reflections of the sky and surrounding foliage, using horizontal brushstrokes.

  7. step 07

    Add details to the foreground, including grasses, rocks, and shadows, using a variety of brushstrokes.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · sap green · cadmium yellow · alizarin crimson

Mix blues and browns for the distant mountains. Create various greens by mixing blues and yellows. Use white to lighten colors and create highlights.

techniques

  • ·layering
  • ·dry brushing
  • ·broken color
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating too much contrast and flattening the image.
  • →Not paying attention to the values and creating a muddy effect.
  • →Ignoring atmospheric perspective, which will flatten the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 6, 8)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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