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home·artworks·View of Toledo
View of Toledo by El Greco

plate no. 1557

View of Toledo

El Greco, 1599

oil, canvasMannerism (Late Renaissance)cityscapecityscapeskyhillsbuildingsrivervegetation
experienced study

Recreating this painting will help students understand atmospheric perspective and how to create depth through value and color changes. It also provides practice in capturing the mood of a landscape through expressive brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes: sky, hills, city.

  2. step 02

    Establish the dark values in the sky using a mix of blues and browns.

  3. step 03

    Block in the general colors of the hills, varying the greens and browns to create depth.

  4. step 04

    Start defining the city structure with light grays and whites, paying attention to the architectural details.

  5. step 05

    Add the river and foreground vegetation, using short, broken brushstrokes.

  6. step 06

    Refine the cloud formations, adding highlights and shadows to create a sense of movement.

  7. step 07

    Adjust the values and colors throughout the painting to enhance the atmospheric perspective.

  8. step 08

    Add final details to the city and foreground, such as windows and individual blades of grass.

color palette

primary · Prussian Blue · Burnt Umber · Titanium White

secondary · Yellow Ochre · Sap Green

Mix blues and browns to create the dark, stormy sky. Use white to lighten the colors and create highlights. Mix greens and browns for the hills, varying the proportions to create depth.

techniques

  • ·Impasto
  • ·Scumbling
  • ·Atmospheric Perspective
  • ·Broken Brushstrokes
  • ·Value Study

common pitfalls

  • →Overworking the details in the city, losing the overall atmospheric effect.
  • →Not creating enough contrast between the sky and the land.
  • →Using too much pure green, resulting in a flat and unnatural look.
  • →Failing to establish a strong value structure early on.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints: Prussian Blue, Burnt Umber, Titanium White, Yellow Ochre, Sap Green
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium (Liquin)

Use a canvas with a medium texture to allow for expressive brushwork. Consider using a limited palette to simplify the color mixing process.

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