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home·artworks·View of Tivoli (after Corot)
View of Tivoli (after Corot) by Berthe Morisot

plate no. 7659

View of Tivoli (after Corot)

Berthe Morisot, 1863

oil, canvasImpressionismlandscapelandscapetreesbuildingsfigureskyhills
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and loose brushwork to suggest form rather than define it precisely. It's a good exercise in simplifying complex scenes and capturing a sense of light and atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: the wall, the figure, the trees, buildings, and distant hills.

  2. step 02

    Establish the sky with a thin wash of light blue and grey, blending softly.

  3. step 03

    Block in the distant hills with muted greens and blues, paying attention to value to create depth.

  4. step 04

    Paint the buildings and trees using a limited palette of browns, greens, and greys, focusing on suggesting form with loose brushstrokes.

  5. step 05

    Add the figure on the wall, using darker values to define the form and create a focal point.

  6. step 06

    Paint the wall in the foreground with warm browns, capturing the light and shadow.

  7. step 07

    Add details to the trees and buildings, but avoid overworking them.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed to create a harmonious and atmospheric effect.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna

Mix muted greens by combining Prussian blue, yellow ochre, and raw umber. Achieve atmospheric perspective by lightening and greying colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking details and losing the overall atmospheric effect.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a clear sense of depth.
  • →Making the brushstrokes too uniform and losing the sense of spontaneity.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes #2, #6
  • ·flat brush #8
  • ·linseed oil
  • ·palette
  • ·palette knife

optional

  • ·painting medium
  • ·varnish

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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