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home·artworks·View of Tiflis
View of Tiflis by Lev Lagorio

plate no. 1045

View of Tiflis

Lev Lagorio

oilRomanticismlandscapelandscapemountainsruinstreesskycity
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through subtle value and color changes. It also provides practice in rendering textures of rocks and foliage with varied brushstrokes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, ruins, and horizon line.

  2. step 02

    Establish the sky with a gradient of warm yellows and oranges, blending smoothly.

  3. step 03

    Block in the distant mountains with diluted blues and purples to create atmospheric perspective.

  4. step 04

    Begin defining the ruins with dark browns and grays, paying attention to the light source.

  5. step 05

    Add details to the foreground trees and foliage using a mix of greens and browns.

  6. step 06

    Introduce highlights on the ruins and trees to create depth and dimension.

  7. step 07

    Refine the details of the city in the distance, using small strokes to suggest buildings.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the atmospheric effect.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · titanium white · cadmium yellow · raw sienna

Achieve the atmospheric haze by mixing blues and purples with white. Create the greens for the foliage by mixing yellow ochre and ultramarine blue, adjusting the ratio for different shades.

techniques

  • ·glazing
  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling
  • ·blending

common pitfalls

  • →Overworking the details in the distant mountains, losing the atmospheric effect.
  • →Creating too much contrast in the foreground, flattening the image.
  • →Using pure colors without mixing, resulting in an unnatural look.
  • →Ignoring the light source, leading to inconsistent shadows and highlights.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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