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home·artworks·View of the Village of Castelnau-le-Lez
View of the Village of Castelnau-le-Lez by Frederic Bazille

plate no. 0276

View of the Village of Castelnau-le-Lez

Frederic Bazille, 1868

oil, canvasImpressionismportraitfigurelandscapevillagetreesskydress
some experience helpful

Recreating this painting will help students develop skills in portraiture, landscape painting, and creating depth using atmospheric perspective. It also provides practice in rendering fabric and foliage with subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the figure, tree, village, and horizon line.

  2. step 02

    Block in the main color areas for the sky, village, trees, and figure's dress.

  3. step 03

    Develop the sky with subtle variations in blue and white.

  4. step 04

    Add details to the village, focusing on the shapes of the buildings and their light and shadow.

  5. step 05

    Refine the foliage, using different shades of green and yellow to create depth and texture.

  6. step 06

    Work on the figure, paying attention to the proportions and details of the face and dress.

  7. step 07

    Add the red sash and headscarf, using a bright red and creating folds and shadows.

  8. step 08

    Add final details and highlights to the entire painting.

color palette

primary · ultramarine blue · yellow ochre · titanium white · burnt umber

secondary · cadmium red · sap green · raw sienna

Mix greens by combining blue and yellow ochre, and vary the shades by adding white or burnt umber. Achieve the skin tones by mixing white, red, and yellow ochre, with touches of burnt umber for shadows.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·glazing
  • ·portrait rendering

common pitfalls

  • →Overworking the details in the village, losing the sense of distance.
  • →Making the figure too stiff or unnatural.
  • →Using too much pure color without mixing, resulting in a flat appearance.
  • →Ignoring the subtle color variations in the foliage and sky.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, yellow ochre, titanium white, burnt umber, cadmium red, sap green, raw sienna)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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