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home·artworks·View of the town from the riverside
View of the town from the riverside by Lev Lagorio

plate no. 2898

View of the town from the riverside

Lev Lagorio, 1887

oilRomanticismcityscapewaterbuildingsboatskyreedstown
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing reflections in water. It also provides practice in rendering architectural details and natural elements with subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, boat, and horizon line.

  2. step 02

    Block in the large areas of color for the sky, water, and land, establishing the overall value structure.

  3. step 03

    Develop the sky with subtle gradients of blue, pink, and gray, blending the colors smoothly.

  4. step 04

    Paint the water, capturing the reflections of the buildings and boat with slightly blurred edges.

  5. step 05

    Add details to the buildings, including windows, roofs, and architectural features.

  6. step 06

    Render the reeds and foliage in the foreground, using a variety of greens, browns, and yellows.

  7. step 07

    Paint the boat and its reflection, paying attention to the details of the sail and hull.

  8. step 08

    Refine the details and add highlights to create depth and dimension.

color palette

primary · ultramarine blue · titanium white · burnt umber

secondary · yellow ochre · cadmium red · sap green

Achieve the sky colors by mixing ultramarine blue and titanium white with small amounts of cadmium red and yellow ochre. Create the water colors by mixing ultramarine blue, titanium white, and burnt umber, adjusting the proportions to achieve the desired shade.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Failing to capture the subtle color variations in the sky and water.
  • →Ignoring the principles of atmospheric perspective, causing the background to appear too sharp.
  • →Making reflections too literal, rather than suggesting the movement of the water.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·sap green oil paint
  • ·#4 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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