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home·artworks·View of the Tiber with a view of the Castel Sant'Angelo
View of the Tiber with a view of the Castel Sant'Angelo by Oswald Achenbach

plate no. 5752

View of the Tiber with a view of the Castel Sant'Angelo

Oswald Achenbach, 1882

oilRomanticismcityscaperivercastlebridgebuildingcityscapesky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for muted tones, and rendering reflections in water. It also provides practice in depicting architectural details and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the castle, buildings, bridge, and river, paying attention to their relative sizes and positions.

  2. step 02

    Block in the sky with a gradient from darker blues at the top to lighter blues near the horizon.

  3. step 03

    Establish the dark values of the castle and buildings using a mix of browns and blacks.

  4. step 04

    Paint the river with horizontal strokes, reflecting the colors of the sky and the surrounding structures.

  5. step 05

    Add details to the castle and buildings, including windows, arches, and other architectural elements.

  6. step 06

    Create the reflections in the water, softening the edges and using slightly lighter values.

  7. step 07

    Add highlights to the buildings and water to create a sense of light and atmosphere.

  8. step 08

    Refine the details and adjust the values as needed to achieve a cohesive and realistic depiction.

color palette

primary · ultramarine blue · burnt umber · raw sienna

secondary · titanium white · yellow ochre · ivory black

Achieve the muted tones by mixing complementary colors (e.g., blue and orange, brown and green) with white or black. Use thin glazes to build up depth and atmosphere.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·reflected light

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (ultramarine blue, burnt umber, raw sienna, titanium white, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·varnish

Use a medium-grain canvas for best results. Consider using a toned canvas to establish a base color.

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