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home·artworks·View of the Sepulchral Monument to Paolo Savelli in the Church of Santa Maria Gloriosa Dei Frari in Venice
View of the Sepulchral Monument to Paolo Savelli in the Church of Santa Maria Gloriosa Dei Frari in Venice by Vincenzo Abbati

plate no. 5297

View of the Sepulchral Monument to Paolo Savelli in the Church of Santa Maria Gloriosa Dei Frari in Venice

Vincenzo Abbati, 1857

oil, canvasRomanticisminteriorarchitectureinteriorchurchfiguresmonumentcolumns
experienced study

Recreating this painting will help students develop skills in perspective, rendering architectural details, and capturing subtle light and shadow variations. It also provides practice in depicting figures within a complex interior space.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the perspective and major architectural elements.

  2. step 02

    Block in the main areas of light and shadow using thin washes of color.

  3. step 03

    Develop the architectural details, paying close attention to the proportions and shapes of the columns, arches, and monuments.

  4. step 04

    Add the figures, focusing on their placement and interaction within the space.

  5. step 05

    Refine the lighting and shadows, creating depth and atmosphere.

  6. step 06

    Add details to the floor and objects.

  7. step 07

    Glaze layers to unify the colors and create a sense of depth.

  8. step 08

    Add final highlights and details to enhance the realism.

color palette

primary · ivory black · raw umber · titanium white · purple

secondary · yellow ochre · burnt sienna · ultramarine blue

Achieve the subtle grays and browns by mixing ivory black, raw umber, and titanium white. Use small amounts of yellow ochre and burnt sienna to warm the grays. Mix purple with white to create the wall color.

techniques

  • ·linear perspective
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·rendering architectural details

common pitfalls

  • →Incorrect perspective leading to a distorted space.
  • →Overworking the details and losing the overall atmosphere.
  • →Inaccurate color mixing resulting in a flat or unrealistic appearance.
  • →Failing to capture the subtle light and shadow variations.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas with a neutral gray can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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