
plate no. 1795
Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as rendering realistic tree bark and foliage. It also provides practice in creating a sense of perspective and distance.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the trees and the cliffs.
Block in the sky and sea with thin washes of color.
Establish the dark values in the foreground trees and foliage.
Begin layering greens and yellows to create the foliage, varying the tones for depth.
Paint the cliffs with white and subtle grays, paying attention to the light and shadow.
Add details to the tree bark, using dry brush techniques to create texture.
Refine the foliage with smaller brushstrokes, adding highlights and shadows.
Add final details, such as the small boat in the sea and subtle variations in the sky.
color palette
primary · Prussian Blue · Yellow Ochre · Burnt Umber · Titanium White
secondary · Sap Green · Cadmium Yellow · Raw Sienna
Mix greens by blending Prussian Blue and Yellow Ochre. Use Burnt Umber and white for the tree bark. Achieve the cliff color by mixing white with small amounts of blue and yellow.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a good quality canvas primed with gesso. Consider using a medium to speed up drying time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke