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home·artworks·View of the sea from Møens Klint
View of the sea from Møens Klint by P. C. Skovgaard

plate no. 1795

View of the sea from Møens Klint

P. C. Skovgaard

oil, canvasRomanticismlandscapetreeslandscapecliffsfoliageseasky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as rendering realistic tree bark and foliage. It also provides practice in creating a sense of perspective and distance.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the cliffs.

  2. step 02

    Block in the sky and sea with thin washes of color.

  3. step 03

    Establish the dark values in the foreground trees and foliage.

  4. step 04

    Begin layering greens and yellows to create the foliage, varying the tones for depth.

  5. step 05

    Paint the cliffs with white and subtle grays, paying attention to the light and shadow.

  6. step 06

    Add details to the tree bark, using dry brush techniques to create texture.

  7. step 07

    Refine the foliage with smaller brushstrokes, adding highlights and shadows.

  8. step 08

    Add final details, such as the small boat in the sea and subtle variations in the sky.

color palette

primary · Prussian Blue · Yellow Ochre · Burnt Umber · Titanium White

secondary · Sap Green · Cadmium Yellow · Raw Sienna

Mix greens by blending Prussian Blue and Yellow Ochre. Use Burnt Umber and white for the tree bark. Achieve the cliff color by mixing white with small amounts of blue and yellow.

techniques

  • ·Layering
  • ·Dry Brushing
  • ·Blending
  • ·Scumbling
  • ·Glazing

common pitfalls

  • →Overworking the foliage and losing the sense of depth.
  • →Making the cliffs too stark white and lacking subtle variations.
  • →Ignoring the atmospheric perspective and making distant objects too sharp.
  • →Not varying the greens enough, resulting in a flat, monotonous landscape.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (Prussian Blue, Yellow Ochre, Burnt Umber, Titanium White, Sap Green)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)
  • ·Easel

Use a good quality canvas primed with gesso. Consider using a medium to speed up drying time.

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oil painting for beginners →how to learn by studying the masters →
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