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home·artworks·View of the Horn of Fromberg from Reichenbach
View of the Horn of Fromberg from Reichenbach by Ferdinand Hodler

plate no. 0877

View of the Horn of Fromberg from Reichenbach

Ferdinand Hodler, 1903

oil, canvasArt Nouveau (Modern)landscapemountainsfieldsvillageskylandscapetrees
some experience helpful

Recreating this painting will help students understand how to simplify complex landscapes into basic shapes and practice using color to create depth and atmosphere. It also provides practice in applying expressive brushstrokes to define form and texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, fields, and village, focusing on the overall composition.

  2. step 02

    Block in the sky with light blue, leaving space for the clouds.

  3. step 03

    Apply a base layer of yellow to the fields, varying the tone slightly to suggest depth.

  4. step 04

    Paint the mountains using a mix of blues, browns, and purples, adding highlights with yellow.

  5. step 05

    Add the details of the village, using small strokes to represent the buildings and trees.

  6. step 06

    Refine the details in the foreground, adding texture to the grass and flowers.

  7. step 07

    Adjust the values and colors to create a sense of harmony and balance.

  8. step 08

    Add final touches and highlights to enhance the overall effect.

color palette

primary · yellow ochre · ultramarine blue · burnt umber

secondary · titanium white · cadmium red · viridian green

Mix ultramarine blue and burnt umber for the mountain shadows. Use yellow ochre and titanium white to create the bright field colors. Add small amounts of cadmium red to the yellow for the foreground flowers.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color blocking
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushstrokes.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated and unnatural.
  • →Not simplifying the landscape into basic shapes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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