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home·artworks·View of the cloister of Monreale
View of the cloister of Monreale by Vincenzo Abbati

plate no. 1399

View of the cloister of Monreale

Vincenzo Abbati

oil, canvasRomanticisminteriorarchitecturecloisterarchescolumnsbuildingfigure
some experience helpful

Recreating this painting will help students develop skills in perspective, particularly one-point perspective, and understanding how light and shadow interact with architectural forms. It also provides practice in creating depth using atmospheric perspective and varying levels of detail.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the architecture, focusing on the perspective lines converging towards a vanishing point.

  2. step 02

    Establish the horizon line and vanishing point.

  3. step 03

    Block in the main areas of color: the sky, the building facades, the roofs, and the shadowed foreground.

  4. step 04

    Refine the shapes of the arches and columns, paying attention to their relative sizes and positions.

  5. step 05

    Add details to the architecture, such as windows, doorways, and decorative elements.

  6. step 06

    Paint the figure in the foreground, keeping it simple and dark.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · yellow ochre · ivory black

Mix raw umber and white for the stone architecture. Use cadmium red light and raw umber for the roof tiles. Add ivory black to raw umber for the dark shadows.

techniques

  • ·one-point perspective
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling

common pitfalls

  • →Incorrect perspective, leading to a distorted image.
  • →Overworking the details, resulting in a stiff and unnatural look.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate color mixing, leading to a flat and unconvincing painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·selection of round and flat brushes

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

A medium-grain canvas is recommended. Use a limited palette to simplify the color mixing process.

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