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home·artworks·View of Tabor Linie
View of Tabor Linie by Johann Baptist Clarot

plate no. 6181

View of Tabor Linie

Johann Baptist Clarot, 1840

lithographyRomanticismcityscapecityscapetreesfiguresskyhorsesbuildings
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with many small details. It's also a good exercise in capturing the subtle gradations of light and shadow in a muted color palette.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of buildings, trees, and figures.

  2. step 02

    Establish the sky with a light wash of blue and gray, adding soft cloud formations.

  3. step 03

    Block in the main shapes of the buildings and trees, using a muted green and brown palette.

  4. step 04

    Begin adding details to the buildings, such as windows and architectural features.

  5. step 05

    Develop the foliage of the trees, using layers of green and brown to create depth and texture.

  6. step 06

    Paint the figures and horses, paying attention to their proportions and poses.

  7. step 07

    Add details to the foreground, such as the road, grass, and any other elements.

  8. step 08

    Refine the overall painting, adjusting values and adding highlights to create a sense of light and atmosphere.

color palette

primary · Prussian blue · Raw umber · Titanium white · Yellow ochre

secondary · Burnt sienna · Payne's gray

Achieve the muted tones by mixing the primary colors with white and small amounts of raw umber or Payne's gray. Use burnt sienna to add warmth to the browns and greens.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·linear perspective

common pitfalls

  • →Overworking the details too early
  • →Using colors that are too saturated
  • →Ignoring the principles of perspective
  • →Failing to create a sense of depth

materials

surface · Stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water

optional

  • ·Medium gloss
  • ·Easel
  • ·Reference photo print

Use a canvas with a smooth surface to allow for detailed brushwork. Consider using a toned canvas to help establish the overall color harmony.

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