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home·artworks·View of St George's, Venice
View of St George's, Venice by Franz Richard Unterberger

plate no. 9512

View of St George's, Venice

Franz Richard Unterberger

oil, canvasRomanticismcityscapecityscapewaterboatsbuildingsskyfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in creating a sense of depth and capturing the mood of a scene.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the horizon line, major buildings, and the position of the boats.

  2. step 02

    Block in the sky with broad washes of color, paying attention to the subtle gradations of light and shadow.

  3. step 03

    Establish the basic shapes of the buildings in the distance, using muted colors and soft edges to create atmospheric perspective.

  4. step 04

    Paint the water with horizontal strokes, reflecting the colors of the sky and buildings.

  5. step 05

    Add the larger boat on the right, focusing on its structure and details.

  6. step 06

    Paint the smaller boats and figures, using darker values to create contrast.

  7. step 07

    Refine the details of the buildings and boats, adding highlights and shadows to create depth.

  8. step 08

    Add final touches, such as reflections in the water and subtle details in the sky.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · ultramarine blue · alizarin crimson · raw sienna

Achieve the atmospheric haze by mixing white with small amounts of umber, ochre, and crimson. Use ultramarine blue and burnt umber to create darker tones for the boats and buildings.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·scumbling
  • ·glazing
  • ·rendering reflections

common pitfalls

  • →Overworking the details in the background, which can flatten the sense of depth.
  • →Using colors that are too saturated, which can detract from the atmospheric mood.
  • →Failing to create a convincing sense of reflection in the water.
  • →Making the values too uniform, which can result in a flat and lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·alizarin crimson oil paint

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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