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home·artworks·View of Spoleto
View of Spoleto by August Ahlborn

plate no. 4784

View of Spoleto

August Ahlborn, 1840

oilRomanticismlandscapelandscapecityscapetreesfiguresmountainssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex landscapes with varied textures. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the major elements (trees, city, mountains).

  2. step 02

    Establish the sky and distant mountains with thin washes of color, paying attention to atmospheric perspective.

  3. step 03

    Block in the large shapes of the trees and foreground hills with darker greens and browns.

  4. step 04

    Begin to define the details of the city, bridge, and buildings in the midground.

  5. step 05

    Add the figures in the foreground, paying attention to their proportions and placement.

  6. step 06

    Refine the details of the trees, adding highlights and shadows to create depth.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of harmony and balance.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · viridian green

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by lightening and desaturating colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details in the distant city
  • →Creating overly saturated colors
  • →Ignoring the principles of atmospheric perspective
  • →Incorrect proportions of figures
  • →Not establishing a clear focal point

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette knife

optional

  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas for optimal texture. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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