apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View of Skjolden in Lyster, Norway
View of Skjolden in Lyster, Norway by Johan Christian Dahl

plate no. 6830

View of Skjolden in Lyster, Norway

Johan Christian Dahl, 1843

oil, canvasRomanticismlandscapemountainslakebuildingstreesboatsky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex landscape details with varying levels of focus. It also provides practice in depicting reflections in water and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes: mountains, shoreline, buildings, and the boat.

  2. step 02

    Establish the sky with broad washes of color, paying attention to the cloud formations.

  3. step 03

    Block in the distant mountains using muted blues and greens to create atmospheric perspective.

  4. step 04

    Paint the middle ground, focusing on the trees and the buildings, adding more detail and color saturation.

  5. step 05

    Render the foreground elements, including the shoreline, boat, and figures, with the highest level of detail.

  6. step 06

    Add reflections in the water, using slightly darker and desaturated versions of the corresponding objects.

  7. step 07

    Refine the details, such as the texture of the wood and the foliage of the trees.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · Prussian blue · Yellow ochre · Burnt umber · Titanium white

secondary · Cadmium yellow · Alizarin crimson · Sap green

Mix muted greens for the mountains by combining Prussian blue, yellow ochre, and burnt umber. Use white to lighten values and create atmospheric haze. Achieve realistic wood tones by layering burnt umber, yellow ochre, and touches of alizarin crimson.

techniques

  • ·Layering
  • ·Blending
  • ·Dry brushing
  • ·Scumbling
  • ·Atmospheric perspective

common pitfalls

  • →Overworking the details in the distant mountains
  • →Creating too much contrast in the shadows
  • →Failing to establish a clear focal point
  • →Inaccurate perspective on the buildings and boat

materials

surface · Stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil

optional

  • ·Retouch varnish
  • ·Easel
  • ·Palette

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke