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home·artworks·View of seaside town in the evening with a lighthouse
View of seaside town in the evening with a lighthouse by Ivan Aivazovsky

plate no. 2363

View of seaside town in the evening with a lighthouse

Ivan Aivazovsky, 1870

oilRomanticismcityscapeseascapelighthousebuildingsmoonwatersky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, blending, and creating the illusion of light and reflection on water. It also provides practice in rendering architectural details and natural forms in a cohesive landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, lighthouse, buildings, and main water areas.

  2. step 02

    Block in the large areas of color: the sky, water, land masses, and buildings using thinned paint.

  3. step 03

    Establish the dark values of the trees and the lighthouse structure.

  4. step 04

    Begin layering the sky with subtle variations of blues, greens, and grays, blending carefully to create a soft, atmospheric effect.

  5. step 05

    Add the moon and its surrounding glow, using light yellows and whites.

  6. step 06

    Develop the reflections in the water, mirroring the colors and shapes of the sky and buildings.

  7. step 07

    Add details to the lighthouse, buildings, and boats, using smaller brushes.

  8. step 08

    Refine highlights and shadows throughout the painting to enhance the sense of depth and realism.

color palette

primary · Prussian Blue · Yellow Ochre · Titanium White

secondary · Burnt Umber · Cadmium Yellow · Alizarin Crimson

Achieve the dark greens by mixing Prussian Blue and Yellow Ochre. Create the luminous sky and water by gradually adding Titanium White to the blues and greens. Use Alizarin Crimson to create the red glow inside the lighthouse.

techniques

  • ·Atmospheric perspective
  • ·Blending
  • ·Glazing
  • ·Dry brushing
  • ·Reflections

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines instead of soft transitions.
  • →Making the reflections too symmetrical or identical to the objects they reflect.
  • →Not paying attention to the subtle color variations in the sky and water.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (Prussian Blue, Yellow Ochre, Titanium White, Burnt Umber, Cadmium Yellow, Alizarin Crimson)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Linseed oil or other painting medium
  • ·Odorless mineral spirits or turpentine
  • ·Palette knife
  • ·Rags or paper towels

optional

  • ·Retarder medium
  • ·Varnish

Use a medium-grit canvas for better paint adhesion. Consider using a glazing medium to enhance the luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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