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home·artworks·View of Santa Maria Della Salute Venice
View of Santa Maria Della Salute Venice by Martín Rico y Ortega

plate no. 7260

View of Santa Maria Della Salute Venice

Martín Rico y Ortega

oilImpressionismcityscapearchitecturewaterboatsfigurescityscapesky
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, capturing architectural details with loose brushwork, and creating a sense of depth and light.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the church, the building to the left, and the water.

  2. step 02

    Establish the sky with a thin wash of blue, blending it towards the horizon.

  3. step 03

    Block in the basic shapes of the buildings using light washes of color, paying attention to the light and shadow.

  4. step 04

    Add details to the church, focusing on the architectural elements. Use a smaller brush for finer lines.

  5. step 05

    Paint the water and boats, capturing their reflections and the movement of the water.

  6. step 06

    Add the figures, using quick, gestural strokes to suggest their presence.

  7. step 07

    Develop the foreground, adding details to the pavement and the area around the fountain.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · titanium white · cerulean blue · yellow ochre · raw umber

secondary · cadmium red · ultramarine blue · burnt sienna

Achieve the subtle variations in the buildings by mixing white with small amounts of yellow ochre, raw umber, and burnt sienna. Create the sky by gradually mixing cerulean blue with white.

techniques

  • ·atmospheric perspective
  • ·dry brush
  • ·scumbling
  • ·broken color
  • ·glazing

common pitfalls

  • →Getting bogged down in excessive detail, especially in the architecture.
  • →Failing to create a sense of depth and atmosphere.
  • →Overworking the painting and losing the freshness of the brushwork.
  • →Inaccurate perspective of the building and stairs.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a toned canvas to establish the base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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