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home·artworks·View of Round Island and a Part of St Anne's from Quarantine Island
View of Round Island and a Part of St Anne's from Quarantine Island by Marianne North

plate no. 5540

View of Round Island and a Part of St Anne's from Quarantine Island

Marianne North, 1883

oilImpressionismgenre paintingbeachpalm treesislandwaterfigurerocks
some experience helpful

Recreating this painting will help students develop skills in color mixing for atmospheric perspective and layering washes to create depth and texture in foliage and water. It also provides practice in depicting organic shapes and forms.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: horizon line, island, palm trees, figure, and foreground rocks.

  2. step 02

    Apply a light wash of diluted blue and violet for the sky, blending gently.

  3. step 03

    Paint the distant island with muted greens and blues, using lighter values for areas further away.

  4. step 04

    Layer washes of green and brown for the palm trees and foliage, adding details with a smaller brush.

  5. step 05

    Mix various shades of blue and green for the water, creating subtle variations in tone and color.

  6. step 06

    Paint the figure with a base layer of blue, adding shadows and highlights to define the form.

  7. step 07

    Add details to the rocks using browns, grays, and highlights to create texture and dimension.

  8. step 08

    Refine details and add final touches to the foliage, figure, and water reflections.

color palette

primary · cerulean blue · sap green · raw umber

secondary · cadmium yellow · alizarin crimson · titanium white

Mix greens by combining blues and yellows; create muted tones by adding a touch of complementary color. Use white to lighten values and create atmospheric perspective.

techniques

  • ·wet-on-wet blending
  • ·layering washes
  • ·dry brushing
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details too early.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the principles of atmospheric perspective.
  • →Creating overly harsh lines or edges.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·flat brush
  • ·water container
  • ·palette
  • ·pencil
  • ·kneaded eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve varying levels of detail.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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