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home·artworks·View of Plascencia
View of Plascencia by Joaquín Sorolla

plate no. 5070

View of Plascencia

Joaquín Sorolla, 1917

oil, canvasImpressionismcityscapecityscapebuildingsbridgearchitectureskywater
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve warm and cool tones, as well as practice creating depth through layering and atmospheric perspective. The loose brushwork encourages expressive mark-making.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition lightly on the canvas, focusing on the placement of the bridge, buildings, and horizon line.

  2. step 02

    Block in the large areas of color, starting with the sky and the water, using thin washes of paint.

  3. step 03

    Establish the main colors of the buildings and bridge, paying attention to the light and shadow.

  4. step 04

    Begin layering paint to build up texture and depth, using thicker paint for areas in the foreground.

  5. step 05

    Add details to the buildings and bridge, such as windows, arches, and railings.

  6. step 06

    Refine the colors and values, adjusting the light and shadow to create a sense of atmosphere.

  7. step 07

    Add final touches, such as highlights and reflections, to bring the painting to life.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · yellow ochre · cadmium red light

Mix raw umber and ultramarine blue for the sky. Use burnt sienna and white for the buildings, adding yellow ochre for warmth. Mix cadmium red light and burnt sienna for the redder buildings.

techniques

  • ·dry brush texture
  • ·layering
  • ·color mixing
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details too early.
  • →Not establishing a clear value structure.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the atmospheric perspective and flattening the image.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#6 round brush
  • ·#8 flat brush
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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