apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View of Paris from Monmartre
View of Paris from Monmartre by Raoul Dufy

plate no. 1930

View of Paris from Monmartre

Raoul Dufy, 1902

oilImpressionismcityscapecityscapebuildingsskyfiguresstreetEiffel Tower
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as simplifying complex scenes into basic shapes and values. It's a good exercise in capturing the impression of a place rather than its precise details.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and the horizon line, paying attention to perspective.

  2. step 02

    Block in the sky with broad strokes of blue, grey, and white, suggesting the clouds.

  3. step 03

    Establish the main color blocks for the buildings using a limited palette of browns, oranges, and whites.

  4. step 04

    Add darker values to create shadows and define the forms of the buildings.

  5. step 05

    Paint the street with warm yellows and browns, varying the tones to suggest unevenness.

  6. step 06

    Add small figures to the foreground to give a sense of scale.

  7. step 07

    Refine the details of the buildings and the sky, adding subtle color variations.

  8. step 08

    Add final touches and highlights to enhance the impressionistic feel.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium orange · payne's gray · raw sienna

Mix different shades of gray by combining ultramarine blue, burnt umber, and white. Achieve warm browns by mixing burnt umber with yellow ochre and a touch of cadmium orange.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brush
  • ·alla prima
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using too many colors and creating a muddy effect.
  • →Ignoring the importance of value contrast in creating depth.
  • →Making the brushstrokes too uniform and lacking variation.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes size 4 and 8
  • ·flat brush size 6
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to enhance the brushwork. Consider using a fast-drying medium to speed up the drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann