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home·artworks·View of New Hampshire
View of New Hampshire by William Hart

plate no. 3215

View of New Hampshire

William Hart

oilRomanticismlandscapelandscapetreeshillsskyfieldsbuildings
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in mixing subtle color variations to represent natural light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountain, trees, and buildings.

  2. step 02

    Establish the sky with broad, blended strokes, creating a sense of atmosphere.

  3. step 03

    Block in the distant hills and mountain with muted greens and blues, paying attention to value changes.

  4. step 04

    Layer in the middle ground with fields and trees, using warmer tones and more detail.

  5. step 05

    Develop the foreground with darker values and more defined brushstrokes, adding details to the trees and grass.

  6. step 06

    Add small details like buildings and fences to create a sense of scale and depth.

  7. step 07

    Refine the lighting and shadows throughout the painting, paying attention to the direction of the light source.

  8. step 08

    Add final highlights and details to create a sense of realism.

color palette

primary · yellow ochre · burnt umber · titanium white · viridian green

secondary · ultramarine blue · cadmium yellow · raw sienna

Mix greens by blending yellow ochre, viridian green, and ultramarine blue. Use burnt umber and yellow ochre for earth tones, and add white to lighten values. Create atmospheric perspective by adding blue to distant colors.

techniques

  • ·layering
  • ·blending
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details in the background
  • →Creating too much contrast in the distant elements
  • →Failing to establish a clear light source
  • →Using colors that are too saturated
  • →Not blending the sky properly

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette
  • ·linseed oil
  • ·mineral spirits

optional

  • ·palette knife
  • ·easel
  • ·medium gloss
  • ·painting rags

Use a medium-tooth canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

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oil painting for beginners →how to learn by studying the masters →
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