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home·artworks·View of Nærøy Valley
View of Nærøy Valley by Johan Christian Dahl

plate no. 2050

View of Nærøy Valley

Johan Christian Dahl, 1847

oil, canvasRomanticismlandscapemountainsriverbridgebuildingsfigureslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic rock textures. It also provides practice in depicting water movement and building structures within a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, river, and buildings.

  2. step 02

    Establish the sky and distant mountains with thin washes of cool grays and blues.

  3. step 03

    Block in the main shapes of the mountains and foreground rocks with darker values.

  4. step 04

    Begin adding details to the mountains, using dry brush techniques to create texture.

  5. step 05

    Paint the river, capturing the movement of the water with varied brushstrokes and highlights.

  6. step 06

    Add the buildings and bridge, paying attention to their perspective and details.

  7. step 07

    Introduce the figures on the path, keeping them simple and in proportion to the landscape.

  8. step 08

    Refine the details and add final highlights and shadows to create depth and realism.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna · sap green

Mix various shades of gray by combining white, umber, and a touch of blue. Use yellow ochre and burnt sienna to create warm earth tones for the rocks and buildings. Add small amounts of green to the earth tones to create a natural look.

techniques

  • ·atmospheric perspective
  • ·dry brush
  • ·scumbling
  • ·glazing
  • ·broken color

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details and losing the overall atmospheric effect.
  • →Making the colors too saturated and unnatural.
  • →Incorrectly rendering the perspective of the buildings and bridge.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine

optional

  • ·retouch varnish
  • ·easel
  • ·painting medium

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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