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home·artworks·View of Mount Vesuvius in winter
View of  Mount Vesuvius in winter by Orest Kiprensky

plate no. 5707

View of Mount Vesuvius in winter

Orest Kiprensky, 1830

oilRomanticismlandscapemountainsseashipcloudsskycity
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic waves. It also provides practice in creating a sense of depth and distance through color and value variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, ship, and horizon line.

  2. step 02

    Block in the sky with broad strokes, establishing the overall color and value range.

  3. step 03

    Paint the mountains, starting with the distant ones and gradually working towards the foreground, paying attention to atmospheric perspective.

  4. step 04

    Begin to define the waves, using a combination of light and dark values to create the illusion of movement.

  5. step 05

    Add the ship, focusing on its shape and details.

  6. step 06

    Refine the details of the waves, adding highlights and shadows to enhance their three-dimensionality.

  7. step 07

    Add details to the city in the distance, keeping it soft and indistinct.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and atmospheric painting.

color palette

primary · ultramarine blue · titanium white · burnt umber

secondary · yellow ochre · raw sienna · payne's gray

Mix blues and whites for the sky, adding touches of yellow ochre for warmth. Use umber and blue for the ship and waves, lightening with white for highlights. Create atmospheric perspective by adding more blue and white to distant elements.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details, especially in the distant elements.
  • →Failing to create a sense of depth and distance.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle value variations in the sky and water.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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