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home·artworks·View of Mount Hood
View of Mount Hood by Thomas Hill

plate no. 0007

View of Mount Hood

Thomas Hill, 1866

oilRomanticismlandscapemountainlaketreesdeerlandscapesky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth and mood. It also provides practice in rendering realistic foliage and animal forms.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountain, lake, and foreground elements.

  2. step 02

    Establish the sky with a gradient of soft colors, blending from lighter to darker tones.

  3. step 03

    Block in the distant mountains using muted colors and soft edges to create atmospheric perspective.

  4. step 04

    Paint the lake with horizontal strokes, reflecting the colors of the sky and surrounding landscape.

  5. step 05

    Develop the foreground trees and foliage, adding details and variations in color and texture.

  6. step 06

    Add the deer figures, paying attention to their anatomy and proportions.

  7. step 07

    Refine the details and highlights throughout the painting, creating a sense of depth and realism.

  8. step 08

    Add final touches, such as birds in the sky, to enhance the overall composition.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · cadmium yellow · alizarin crimson · sap green

Achieve the atmospheric haze by mixing white with small amounts of umber and sienna. Create the greens by mixing yellow and blue, adjusting the proportions for different shades.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details in the distant mountains, which can flatten the perspective.
  • →Using too much pure color without mixing, resulting in a lack of harmony.
  • →Neglecting the importance of value contrast, which can make the painting appear flat.
  • →Making the deer figures too prominent, which can distract from the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a toned canvas to establish the warm undertones.

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oil painting for beginners →how to learn by studying the masters →
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