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home·artworks·View of Moscow
View of Moscow by Maxim Vorobiev

plate no. 5790

View of Moscow

Maxim Vorobiev, 1810

oil, canvasRomanticismcityscapecityscaperiverbuildingsskyarchitecturefigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering architectural details with simplified forms. It also encourages practice in creating a sense of depth through layering and tonal variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of major landmarks.

  2. step 02

    Block in the sky with a thin wash of yellow ochre and white, blending to create a soft gradient.

  3. step 03

    Establish the main shapes of the buildings with light brown and grey tones, paying attention to their relative sizes and positions.

  4. step 04

    Paint the river with a mix of blues, greys, and browns, reflecting the colors of the sky and buildings.

  5. step 05

    Add details to the buildings, such as windows, roofs, and architectural features, using smaller brushes.

  6. step 06

    Create the foreground with darker browns and greens, adding small figures and details to suggest activity.

  7. step 07

    Refine the colors and values throughout the painting, adjusting the tones to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · yellow ochre · burnt umber · Prussian blue · titanium white

secondary · raw sienna · payne's grey · cadmium yellow light

Achieve the atmospheric haze by mixing white with small amounts of yellow ochre, burnt umber, and blue. Use varying proportions of these colors to create subtle tonal shifts in the sky and distant buildings.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·tonal blending

common pitfalls

  • →Overworking the details in the distant buildings.
  • →Creating too much contrast in the sky.
  • →Failing to establish a clear sense of depth.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 flat brush

optional

  • ·palette knife
  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time.

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