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home·artworks·View of Montcourt
View of Montcourt by Carl Larsson

plate no. 4558

View of Montcourt

Carl Larsson, 1884

watercolor, paperImpressionismsketch and studybuildingslandscapetreeswatervillagearchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and loose watercolor washes. It also encourages simplification of complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: buildings, bridge, and foliage.

  2. step 02

    Apply a light wash of diluted ochre and burnt sienna to the entire paper as a base tone.

  3. step 03

    Begin with the sky, using diluted blues and grays, allowing the colors to blend on the paper.

  4. step 04

    Paint the distant buildings with soft washes of browns, reds, and grays, focusing on value rather than detail.

  5. step 05

    Develop the foliage with layered washes of greens, yellows, and browns, varying the intensity of the colors.

  6. step 06

    Add details to the bridge and foreground elements with slightly darker values, using a smaller brush.

  7. step 07

    Suggest reflections in the water with horizontal strokes of diluted colors.

  8. step 08

    Add final touches and highlights with a fine brush, focusing on key areas to create focal points.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · raw umber · cadmium red light · sap green

Mix various shades of green by combining blue and yellow. Achieve muted tones by mixing complementary colors (e.g., blue and orange, red and green).

techniques

  • ·wet-on-wet blending
  • ·layered washes
  • ·dry brush texture
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details, losing the loose, impressionistic feel.
  • →Using colors straight from the tube without mixing, resulting in unnatural hues.
  • →Creating harsh lines, failing to blend colors smoothly.
  • →Ignoring value contrast, resulting in a flat, uninteresting painting.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints (tubes or pans)
  • ·Watercolor paper (140lb or heavier)
  • ·Round watercolor brushes (sizes #4, #8, #12)
  • ·Palette for mixing paints
  • ·Water container
  • ·Paper towels
  • ·Pencil (2H or HB)
  • ·Eraser

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Spray bottle

Use good quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve various effects.

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related guides

watercolor techniques →color theory for painters →how to learn by studying the masters →
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