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home·artworks·View of Marly le Roi from House at Coeur Colant
View of Marly le Roi from House at Coeur Colant by Alfred Sisley

plate no. 0900

View of Marly le Roi from House at Coeur Colant

Alfred Sisley, 1876

oil, canvasImpressionismlandscapehousetreeslandscapeskyfigurecityscape
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to capture atmospheric perspective. Students will also learn to simplify complex scenes into basic shapes and color blocks.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the house, trees, and distant cityscape using light pencil lines.

  2. step 02

    Block in the sky with a light blue, varying the tone slightly to suggest clouds.

  3. step 03

    Establish the main color masses for the house, using browns and creams, and the trees, using yellows, oranges, and greens.

  4. step 04

    Begin layering brushstrokes to create texture and depth in the foliage and ground.

  5. step 05

    Mix and apply colors for the distant cityscape, focusing on muted tones to create atmospheric perspective.

  6. step 06

    Add details to the house, such as the balcony and window frames, using smaller brushes.

  7. step 07

    Refine the colors and values throughout the painting, paying attention to the light and shadow.

  8. step 08

    Add final touches, such as the figure and wheelbarrow, using small, deliberate brushstrokes.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · cadmium orange · viridian green

Mix various shades of blue and white for the sky. Use yellow ochre and burnt umber to create the browns for the house. Mix greens by combining blue and yellow, and adjust the tone with white or burnt umber.

techniques

  • ·Broken color
  • ·Impasto
  • ·Wet-on-wet blending
  • ·Scumbling
  • ·Atmospheric perspective

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors that are too saturated, resulting in a harsh or unrealistic look.
  • →Neglecting the importance of value contrast in creating depth.
  • →Failing to simplify the complex details of the cityscape.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ultramarine blue, yellow ochre, burnt umber, titanium white, cadmium yellow, cadmium orange, viridian green)
  • ·Assorted brushes (round and flat, various sizes)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Medium (e.g., Liquin)
  • ·Easel
  • ·Reference photo print

Use good quality oil paints for best results. A medium can be added to the paint to improve flow and drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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