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home·artworks·View of Market In Groningen
View of Market In Groningen by Cornelis Vreedenburgh

plate no. 9030

View of Market In Groningen

Cornelis Vreedenburgh

oilImpressionismcityscapecityscapebuildingsmarkettowerskyfigures
some experience helpful

This painting will help students develop skills in atmospheric perspective and rendering complex architectural details with loose brushwork. It also provides practice in depicting a busy scene with many small figures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the tower, buildings, and the general layout of the market stalls.

  2. step 02

    Establish the sky color with a thin wash, allowing some variation for clouds.

  3. step 03

    Block in the basic colors of the buildings, using a limited palette of browns, grays, and creams.

  4. step 04

    Add the tower, paying attention to its verticality and the subtle shifts in color and value.

  5. step 05

    Paint the market stalls and figures with quick, gestural strokes, focusing on capturing the overall impression rather than precise details.

  6. step 06

    Develop the foreground, adding details to the stalls and figures closest to the viewer.

  7. step 07

    Refine the details in the buildings and tower, adding windows, architectural features, and subtle shadows.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · yellow ochre · burnt sienna · ivory black

Achieve the muted tones by mixing complementary colors and adding white. Use thin washes for the sky and thicker paint for the buildings and foreground.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details, especially in the market scene.
  • →Creating too much contrast, which can flatten the image.
  • →Ignoring the atmospheric perspective, which can make the background appear too sharp.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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