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home·artworks·View of London with St. Paul's
View of London with St. Paul's by John Wilson Carmichael

plate no. 6769

View of London with St. Paul's

John Wilson Carmichael

oilRomanticismcityscapecityscapewaterboatsbuildingsskyfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in depicting complex architectural details and the subtle gradations of light in the sky.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of St. Paul's Cathedral, the tower, and the main boats.

  2. step 02

    Establish the horizon line and the general shapes of the buildings and clouds.

  3. step 03

    Block in the large areas of color for the sky, water, and buildings, paying attention to value differences.

  4. step 04

    Begin adding details to St. Paul's Cathedral and the other buildings in the distance, using a smaller brush.

  5. step 05

    Work on the tower and boats in the foreground, adding details and shadows.

  6. step 06

    Create the reflections in the water, using horizontal brushstrokes and slightly darker values.

  7. step 07

    Add the figures and other small details to the boats and docks.

  8. step 08

    Refine the details and adjust the values as needed to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson

Mix various shades of gray and blue for the sky and water. Use yellow ochre and burnt umber for the buildings and boats, adding white to lighten the values. Create subtle color variations by mixing small amounts of other colors into the primary palette.

techniques

  • ·atmospheric perspective
  • ·rendering reflections
  • ·scumbling
  • ·glazing
  • ·dry brushing

common pitfalls

  • →Getting the perspective wrong, especially on the buildings.
  • →Making the colors too saturated, losing the atmospheric effect.
  • →Overworking the details, making the painting look stiff.
  • →Failing to create a convincing sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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