apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View of Jaffa from the South
View of Jaffa from the South by David Roberts

plate no. 7822

View of Jaffa from the South

David Roberts

oilRomanticismgenre paintingcityscapefigureslandscapearchitectureseamarket
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures within a complex scene. It also provides practice in creating a sense of depth and distance.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes of the city and foreground.

  2. step 02

    Establish the sky and sea with a thin wash of diluted color.

  3. step 03

    Block in the general shapes of the buildings in the city, using lighter values for distant structures.

  4. step 04

    Add details to the city, focusing on architectural elements and variations in light and shadow.

  5. step 05

    Paint the foreground landscape, including the path and the figures.

  6. step 06

    Develop the figures, paying attention to their clothing, poses, and interactions.

  7. step 07

    Add details to the foreground objects, such as the produce and containers.

  8. step 08

    Refine the overall painting, adjusting values and adding highlights and shadows to create depth and realism.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · burnt sienna · ivory black

Achieve the muted tones by mixing earth tones with white and small amounts of blue. Use glazes of diluted color to create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·figure drawing
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking details in the background
  • →Incorrect proportions of figures
  • →Lack of atmospheric perspective
  • →Muddying colors by overmixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a toned canvas to help establish the overall color harmony. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke