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home·artworks·View of Elliðaárvogur, Reykjavík
View of Elliðaárvogur, Reykjavík by Asgrimur Jonsson

plate no. 5063

View of Elliðaárvogur, Reykjavík

Asgrimur Jonsson, 1930

oilImpressionismlandscapesnowwatermountainsbuildingrockssky
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in snow and water, as well as layering brushstrokes to create texture and depth. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, shoreline, and building, paying attention to proportions.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Block in the main color areas with thin washes, starting with the sky and water.

  4. step 04

    Begin layering thicker paint to define the snow-covered areas and the rocks.

  5. step 05

    Mix and apply subtle color variations to the snow to create depth and form.

  6. step 06

    Add details to the building and the shoreline, using smaller brushes.

  7. step 07

    Refine the reflections in the water, paying attention to color and value.

  8. step 08

    Add final highlights and shadows to create a sense of light and atmosphere.

color palette

primary · titanium white · ultramarine blue · cadmium red light

secondary · yellow ochre · raw umber · alizarin crimson

Mix white with small amounts of blue and red to achieve the cool tones of the snow. Use yellow ochre and raw umber to create the warmer tones of the rocks and shoreline. Mix alizarin crimson with white for the pink sky.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-dry layering
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much white and creating a flat, lifeless effect.
  • →Neglecting the subtle color variations in the snow and water.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·alizarin crimson oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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