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home·artworks·View of Castel Gandolfo
View of Castel Gandolfo by Thomas Jones

plate no. 6999

View of Castel Gandolfo

Thomas Jones

oilRomanticismlandscapelandscapelaketreesbuildingfiguressky
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create depth using color and value changes. It also provides practice in rendering foliage and architectural details in a loose, painterly style.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: horizon line, the outline of the lake, the hill with the building, and the foreground path.

  2. step 02

    Establish the basic color blocks for the sky, lake, and land, using thin washes of color.

  3. step 03

    Begin defining the shapes of the trees and foliage, paying attention to the variations in color and value.

  4. step 04

    Add details to the building on the hill, focusing on its basic structure and the play of light and shadow.

  5. step 05

    Develop the foreground path and add the figures, using small brushstrokes to suggest detail.

  6. step 06

    Refine the reflections in the lake, using horizontal strokes and subtle color variations.

  7. step 07

    Add highlights and shadows to create depth and dimension throughout the painting.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of atmosphere.

color palette

primary · ultramarine blue · raw umber · yellow ochre

secondary · burnt sienna · titanium white · sap green

Mix greens by combining yellow ochre and ultramarine blue, adjusting the ratio for different shades. Use raw umber and white to create the muted tones of the land and architecture. Lighten colors with titanium white to simulate atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·broken color

common pitfalls

  • →Overworking the details, losing the loose, painterly feel.
  • →Creating too much contrast, flattening the sense of depth.
  • →Using colors that are too saturated, resulting in an unnatural look.
  • →Ignoring the subtle color variations in the foliage and land.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a toned canvas to establish a base color.

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