
plate no. 7016
Thomas Hill, 1874
Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth and realism. It also provides practice in rendering various textures, such as foliage, rocks, and snow-capped mountains.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the mountains, trees, and lake.
Establish the sky with a light blue wash, adding subtle variations in tone.
Block in the distant mountains with a mixture of pinks, oranges, and purples, paying attention to the light and shadow.
Paint the trees in layers, starting with the darker values and gradually adding highlights.
Develop the foreground with a mix of greens, browns, and yellows, creating texture with varied brushstrokes.
Add details to the lake, including reflections of the surrounding landscape.
Paint the deer, paying attention to their anatomy and proportions.
Refine the overall painting, adjusting values and adding final details.
color palette
primary · ultramarine blue · burnt sienna · titanium white · yellow ochre
secondary · alizarin crimson · sap green · raw umber
Mix pinks and purples for the mountains by combining alizarin crimson, ultramarine blue, and titanium white. Achieve the greens in the foreground by mixing yellow ochre, ultramarine blue, and a touch of burnt sienna.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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