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home·artworks·View of Amalfi from the porch of the cathedral
View of Amalfi from the porch of the cathedral by Franz Ludwig Catel

plate no. 1243

View of Amalfi from the porch of the cathedral

Franz Ludwig Catel, 1834

oil, canvasRomanticisminteriorarchitecturefiguresmountainscityscapearchescolumns
experienced study

Recreating this painting will help students develop skills in perspective, atmospheric perspective, and rendering complex architectural details. It also provides practice in painting figures in various poses and lighting conditions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the perspective and placement of the arches, columns, and major figures.

  2. step 02

    Block in the main shapes of the background landscape, focusing on the atmospheric perspective.

  3. step 03

    Establish the base tones for the architectural elements, paying attention to the light and shadow.

  4. step 04

    Start adding details to the buildings and mountains, gradually building up the texture and form.

  5. step 05

    Block in the figures with simple shapes, focusing on their poses and interactions.

  6. step 06

    Refine the figures, adding details to their clothing and faces.

  7. step 07

    Add highlights and shadows to create depth and dimension throughout the painting.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and atmospheric effect.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · yellow ochre · cadmium red light · ivory black

Achieve the warm tones of the architecture by mixing burnt umber, raw sienna, and yellow ochre. Create atmospheric perspective in the background by adding white and blue to the base colors.

techniques

  • ·atmospheric perspective
  • ·linear perspective
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect perspective can ruin the illusion of depth.
  • →Overworking the details can make the painting look stiff and unnatural.
  • →Ignoring the atmospheric perspective can flatten the background.
  • →Poor color mixing can result in muddy or unrealistic tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for building up layers of paint.

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oil painting for beginners →how to learn by studying the masters →
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