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home·artworks·View of Amalfi
View of Amalfi by Ivan Aivazovsky

plate no. 3382

View of Amalfi

Ivan Aivazovsky, 1865

oil, canvasRomanticismlandscapeseabuildingsmountainsboatsfiguressky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex architectural details within a landscape. It also provides practice in capturing the subtle nuances of light on water.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the horizon line, the placement of the mountains, buildings, and boats.

  2. step 02

    Block in the sky with a gradient of light yellow to pale blue, blending smoothly.

  3. step 03

    Establish the basic shapes of the mountains and buildings using light washes of color, paying attention to their relative values.

  4. step 04

    Paint the sea with varying shades of blue and green, suggesting waves with short, broken brushstrokes.

  5. step 05

    Add details to the buildings, using a fine brush to create windows, doors, and other architectural elements.

  6. step 06

    Paint the boats, paying attention to their reflections in the water.

  7. step 07

    Add the figures on the rocks, using small dabs of color to suggest their forms.

  8. step 08

    Refine the details and add highlights to create a sense of depth and realism.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · burnt umber · viridian green · cadmium yellow

Mix blues and whites for the sky and sea. Use yellow ochre and burnt umber for the buildings and rocks. Add small amounts of green to the blues for the water.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·broken color
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details in the buildings, resulting in a flat, unrealistic appearance.
  • →Failing to create a sense of depth in the landscape.
  • →Using colors that are too saturated, resulting in a garish effect.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve their flow.

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