apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View of a Port
View of a Port by Raoul Dufy

plate no. 7071

View of a Port

Raoul Dufy, 1902

oil, canvasImpressionismlandscapetreeswaterlighthouseshipsskyvegetation
some experience helpful

This painting is great for practicing loose brushwork and color mixing to create a sense of depth and atmosphere. Students will learn to simplify complex scenes into basic shapes and colors.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the tree, lighthouse, and ships.

  2. step 02

    Block in the sky and water with broad strokes of color.

  3. step 03

    Add the dark values of the tree trunk and branches.

  4. step 04

    Paint the distant land and ships, using lighter values and less detail.

  5. step 05

    Layer in the greens of the foreground vegetation, using varied brushstrokes to create texture.

  6. step 06

    Add highlights to the water and vegetation to create a sense of light.

  7. step 07

    Refine the details of the lighthouse and ships.

  8. step 08

    Add final touches and adjustments to balance the composition.

color palette

primary · cerulean blue · viridian green · yellow ochre

secondary · burnt umber · titanium white · cadmium red

Mix greens by combining blue and yellow, and use white to lighten colors and create highlights. Use burnt umber to darken colors and create shadows.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-wet blending
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using too much dark color in the foreground, flattening the depth.
  • →Failing to vary the brushstrokes, resulting in a monotonous texture.
  • →Not simplifying the distant elements enough, making them too distracting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·cerulean blue oil paint
  • ·viridian green oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann