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home·artworks·View of a Church
View of a Church by John Absolon

plate no. 8867

View of a Church

John Absolon

watercolor, paperRomanticismlandscapechurchtreesskystone wallstepslandscape
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and rendering textures of stone and foliage with loose brushwork. It also encourages careful observation of subtle color variations in seemingly monochromatic subjects.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the church, stone wall, and trees, paying attention to proportions and perspective.

  2. step 02

    Establish the overall value structure with a thin wash of diluted neutral gray across the entire paper.

  3. step 03

    Begin layering darker values on the church and stone wall, building up the texture of the stones with short, broken brushstrokes.

  4. step 04

    Paint the sky with a soft, blended wash of pale blue and gray, leaving some areas lighter to suggest clouds.

  5. step 05

    Add the dark masses of the trees, using a variety of greens and browns and varying the brushstrokes to create texture.

  6. step 06

    Define the steps and foreground with darker values and more detail, suggesting the texture of the stone and earth.

  7. step 07

    Add final details such as the windows, roof tiles, and foliage, using a fine brush to create crisp edges and subtle variations.

  8. step 08

    Evaluate the painting and make any necessary adjustments to the values, colors, and details to achieve a sense of depth and atmosphere.

color palette

primary · payne's gray · raw umber · burnt sienna

secondary · sap green · ultramarine blue · yellow ochre

Achieve the muted tones by mixing grays from complementary colors. Use Payne's Gray and Raw Umber for the building and stone. Add small amounts of blue or green to the gray for subtle color variations.

techniques

  • ·dry brush
  • ·wet-on-dry layering
  • ·atmospheric perspective
  • ·broken color
  • ·value studies

common pitfalls

  • →Overworking the details and losing the loose, spontaneous feel of the original.
  • →Creating too much contrast and flattening the sense of depth.
  • →Using colors that are too bright or saturated.
  • →Not paying attention to the subtle variations in value and color within the gray tones.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 4, 8, 12)
  • ·flat brush (1 inch)
  • ·palette
  • ·water container
  • ·paper towels
  • ·masking tape

optional

  • ·palette knife
  • ·gouache
  • ·watercolor pencils

Use high-quality watercolor paper to allow for layering and blending without buckling. Consider using a limited palette to simplify the color mixing process.

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watercolor techniques →how to learn by studying the masters →
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