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home·artworks·View near Rutland, Vermont
View near Rutland, Vermont by Asher Brown Durand

plate no. 2036

View near Rutland, Vermont

Asher Brown Durand, 1837

oilRomanticismlandscapelandscapetreesfiguresmountainscowssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. Students will also learn to depict realistic foliage and figures within a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, mountains, trees, and figures.

  2. step 02

    Establish the sky with soft gradients of pink, blue, and white, blending the colors smoothly.

  3. step 03

    Block in the distant mountains with muted blues and purples, using lighter values for areas closer to the viewer.

  4. step 04

    Paint the middle ground with varying shades of green and brown, suggesting fields, trees, and the river.

  5. step 05

    Add the foreground trees, paying attention to the light and shadow on the trunks and foliage.

  6. step 06

    Paint the figures, starting with basic shapes and adding details like clothing and facial features.

  7. step 07

    Add the cows and other details in the landscape, such as rocks and bushes.

  8. step 08

    Refine the details and add highlights to create a sense of depth and realism.

color palette

primary · sap green · ultramarine blue · titanium white · alizarin crimson

secondary · yellow ochre · burnt umber · cadmium red · cerulean blue

Achieve the atmospheric perspective by mixing blues and purples with white for the distant mountains. Create realistic greens by mixing blues and yellows, adjusting the ratio for different shades of foliage.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Failing to create a sense of depth through atmospheric perspective.
  • →Overworking the details and losing the overall harmony of the painting.
  • →Using colors that are too saturated, resulting in an unnatural appearance.
  • →Ignoring the importance of light and shadow in creating form and volume.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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