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home·artworks·View in the San Gabriel Mountains
View in the San Gabriel Mountains by Guy Rose

plate no. 5534

View in the San Gabriel Mountains

Guy Rose

oil, canvasImpressionismlandscapemountainstreeslandscapevegetationskyfoliage
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and broken color techniques to create depth and texture in a landscape. It also provides practice in simplifying complex natural forms into expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, trees, and foreground vegetation.

  2. step 02

    Establish the horizon line and divide the canvas into foreground, midground, and background.

  3. step 03

    Block in the sky with a light blue wash, gradually darkening towards the mountains.

  4. step 04

    Apply a base layer of color to the mountains, using cooler blues and purples for distant peaks.

  5. step 05

    Begin layering in the trees and foliage, using a variety of greens, yellows, and browns.

  6. step 06

    Add highlights and shadows to create form and depth in the vegetation.

  7. step 07

    Use broken color techniques to create texture and visual interest in the foreground.

  8. step 08

    Refine details and adjust values to achieve a sense of atmospheric perspective.

color palette

primary · ultramarine blue · yellow ochre · sap green · titanium white

secondary · burnt sienna · alizarin crimson · cadmium yellow light

Mix various shades of green by combining yellow ochre and ultramarine blue with varying amounts of white. Achieve the atmospheric perspective by adding more blue and white to the colors for distant mountains.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·dry brushing
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Failing to create a sense of depth and distance.
  • →Using colors that are too saturated and unnatural.
  • →Neglecting the importance of value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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