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home·artworks·View in the East Nave, the Greek Greek Slave by Hiram Power (from Recollections of the Great Exhibition)
View in the East Nave, the Greek Greek Slave by Hiram Power (from Recollections of the Great Exhibition) by John Absolon

plate no. 0687

View in the East Nave, the Greek Greek Slave by Hiram Power (from Recollections of the Great Exhibition)

John Absolon, 1851

watercolor, paperRomanticismgenre paintingfiguresstatuearchitectureexhibitioninteriorcrowd
some experience helpful

Recreating this painting will help students develop skills in depicting figures in historical clothing and architectural interiors, as well as understanding atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light pencil sketch of the overall composition, paying attention to proportions and perspective.

  2. step 02

    Block in the main areas of color, starting with the background and large architectural elements.

  3. step 03

    Add the figures, focusing on their shapes and positions within the scene.

  4. step 04

    Develop the details of the clothing and architectural features, using smaller brushes.

  5. step 05

    Establish the light and shadow, creating depth and dimension.

  6. step 06

    Refine the details and add highlights to create a sense of realism.

  7. step 07

    Add the final details, such as the faces of the figures and the textures of the materials.

  8. step 08

    Review the painting and make any necessary adjustments.

color palette

primary · raw umber · ivory black · titanium white · cadmium red

secondary · cerulean blue · yellow ochre · viridian

Mix various shades of brown and gray by combining raw umber, ivory black, and titanium white. Use cadmium red to create the red accents and flags.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·watercolor washes
  • ·dry brushing
  • ·linear perspective

common pitfalls

  • →Incorrect proportions of figures
  • →Inaccurate perspective of the architecture
  • →Overworking the details
  • →Muddy color mixing

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brush (size 1/2 inch)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler
  • ·watercolor pencils

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Consider using a limited palette to create a harmonious color scheme.

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related guides

watercolor techniques →how to learn by studying the masters →
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