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home·artworks·View in north Wales
View in north Wales by John Glover

plate no. 6441

View in north Wales

John Glover, 1820

oilRomanticismlandscapetreeslakecowslandscapehillssky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as practicing accurate reflections in water. It also provides practice in rendering foliage and animal forms.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, major tree shapes, and the outline of the lake.

  2. step 02

    Establish the sky with a soft, blended wash of light blue and yellow.

  3. step 03

    Block in the distant hills with muted greens and browns, paying attention to the atmospheric perspective.

  4. step 04

    Paint the lake reflection, mirroring the colors and shapes of the landscape above, but with softened edges and vertical strokes.

  5. step 05

    Add the main trees, starting with the dark underlayers and gradually building up lighter tones and details.

  6. step 06

    Paint the foreground grass and foliage, using a variety of greens and browns to create texture and depth.

  7. step 07

    Add the cows, paying attention to their anatomy and proportions.

  8. step 08

    Refine details and highlights throughout the painting, adjusting values and colors as needed.

color palette

primary · sap green · burnt umber · titanium white · yellow ochre

secondary · ultramarine blue · raw sienna · cadmium yellow light

Mix greens by combining blues and yellows with varying amounts of brown. Achieve atmospheric perspective by lightening and muting colors with white as they recede into the distance. Use thin washes of color for the sky and water.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing
  • ·wet-on-dry

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural look.
  • →Failing to create a convincing sense of depth and atmosphere.
  • →Making the reflections too perfect and symmetrical.
  • →Using colors that are too saturated and bright.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

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oil painting for beginners →how to learn by studying the masters →
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