apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View from the Petrovsky Park
View from the Petrovsky Park by Anna Ostroumova-Lebedeva

plate no. 0971

View from the Petrovsky Park

Anna Ostroumova-Lebedeva

watercolor, paperArt Nouveau (Modern)cityscapetreeswaterboatsskyfigurescityscape
some experience helpful

This painting provides an opportunity to practice creating depth through atmospheric perspective and capturing intricate details with a limited color palette. Students will also learn to simplify complex scenes and focus on essential elements.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: horizon line, tree masses, and the general layout of the boats and buildings.

  2. step 02

    Establish the sky with a diluted wash of pinkish-gray, allowing it to dry completely.

  3. step 03

    Paint the distant buildings and boats with a lighter, cooler gray, suggesting atmospheric perspective.

  4. step 04

    Begin adding darker values to the trees, focusing on the branch structure and varying the thickness of the lines.

  5. step 05

    Define the foreground elements, such as the dock and figures, using darker shades of brown and gray.

  6. step 06

    Add details to the boats and buildings, using a fine brush to capture the rigging and architectural elements.

  7. step 07

    Introduce subtle color variations to the foreground to create interest and depth.

  8. step 08

    Add final touches and highlights to enhance the overall composition.

color palette

primary · raw umber · ivory black · titanium white

secondary · alizarin crimson · yellow ochre

Mix raw umber and ivory black to create various shades of gray and brown. Add a touch of alizarin crimson to warm the grays, and yellow ochre to create earth tones.

techniques

  • ·dry brush
  • ·layering
  • ·atmospheric perspective
  • ·linear perspective
  • ·washes

common pitfalls

  • →Overworking the details in the background, losing the sense of distance.
  • →Making the foreground too dark, flattening the composition.
  • →Using too much water, resulting in uncontrolled washes.
  • →Not allowing layers to dry completely, leading to muddy colors.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints (raw umber, ivory black, titanium white, alizarin crimson, yellow ochre)
  • ·round brushes (sizes 2, 6, 10)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil
  • ·kneaded eraser

optional

  • ·masking fluid
  • ·rigger brush
  • ·watercolor pencils

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varying line thicknesses.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois