apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View from the Monastery of Sant 'Onofrio in Rome
View from the Monastery of Sant 'Onofrio in Rome by Rudolf von Alt

plate no. 1439

View from the Monastery of Sant 'Onofrio in Rome

Rudolf von Alt, 1835

watercolor, paperRomanticismcityscapearchitecturecolumnscityscapearchestreessky
some experience helpful

Recreating this painting will help students develop skills in perspective, particularly atmospheric perspective, and in rendering architectural details with watercolor. It will also help them understand how to create depth and dimension using light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the perspective of the arches and columns.

  2. step 02

    Lightly block in the sky and distant cityscape with diluted washes of blue and gray.

  3. step 03

    Establish the base colors for the architecture, using a mix of browns, ochres, and grays.

  4. step 04

    Begin layering the shadows on the arches, columns, and brickwork to create depth.

  5. step 05

    Add details to the buildings and figures in the middle ground.

  6. step 06

    Paint the trees and greenery, using a variety of greens and yellows.

  7. step 07

    Refine the details of the brick floor, paying attention to the cast shadows.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre

secondary · raw umber · sap green · titanium white

Achieve the muted tones by mixing complementary colors and diluting with water. Use white sparingly to maintain the watercolor's transparency.

techniques

  • ·atmospheric perspective
  • ·layering washes
  • ·dry brush
  • ·linear perspective
  • ·glazing

common pitfalls

  • →Overworking the details
  • →Incorrect perspective
  • →Muddy colors
  • →Insufficient value contrast

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 140lb
  • ·round brushes (sizes 2, 6, 10)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·ruler
  • ·watercolor pencils

Use high-quality watercolor paper to prevent buckling. Consider stretching the paper beforehand for larger sizes.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke