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home·artworks·View from the Drawing Classroom, Klosterneuburg
View from the Drawing Classroom, Klosterneuburg by Egon Schiele

plate no. 4739

View from the Drawing Classroom, Klosterneuburg

Egon Schiele, 1905

oilImpressionismcityscapecityscapebuildingsskycloudsarchitecturelandscape
some experience helpful

Recreating this painting will help students develop skills in perspective, color mixing for atmospheric effects, and rendering architectural details with simplified brushstrokes. It is also a good exercise in creating depth through layering and tonal variation.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and landscape.

  2. step 02

    Block in the sky with light blue and white, creating soft cloud shapes.

  3. step 03

    Establish the horizon line and distant landscape with muted greens and browns.

  4. step 04

    Begin painting the larger buildings, focusing on their basic shapes and colors.

  5. step 05

    Add details to the buildings, such as windows, roofs, and architectural features.

  6. step 06

    Develop the foreground buildings, paying attention to their relative size and position.

  7. step 07

    Refine the details and add highlights and shadows to create depth and dimension.

  8. step 08

    Add final touches and adjust colors as needed to achieve a cohesive and atmospheric effect.

color palette

primary · ultramarine blue · titanium white · burnt sienna · yellow ochre

secondary · raw umber · cadmium yellow · viridian

Mix blues and whites for the sky, adding a touch of yellow ochre for warmth. Combine burnt sienna and raw umber for the roof colors, and use yellow ochre and white for the building walls. Muted greens can be achieved by mixing viridian with raw umber and white.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·linear perspective
  • ·layering

common pitfalls

  • →Getting the perspective wrong
  • →Overworking the details
  • →Using colors that are too bright or saturated
  • →Ignoring the atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·linseed oil (if using oils)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·painting rags
  • ·viewfinder

Use a medium-textured canvas for better paint adhesion and visual interest. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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