apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View from Sorrento to Capri
View from Sorrento to Capri by Oswald Achenbach

plate no. 7168

View from Sorrento to Capri

Oswald Achenbach, 1884

oilRomanticismlandscapelandscapebuildingstreesseafiguresmountains
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in capturing the textures of foliage and architecture with varied brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes.

  2. step 02

    Establish the sky and distant mountains with thin washes of color.

  3. step 03

    Block in the larger masses of land and foliage, using darker values in the foreground.

  4. step 04

    Begin adding details to the buildings and trees, varying brushstrokes to create texture.

  5. step 05

    Introduce highlights and shadows to define forms and create depth.

  6. step 06

    Paint the figures, keeping them simple and suggestive.

  7. step 07

    Refine details and adjust values to create a sense of atmosphere.

  8. step 08

    Add final touches and highlights to emphasize focal points.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red · sap green

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by lightening colors with white and adding a touch of blue as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking details in the background, losing the sense of distance.
  • →Using colors that are too saturated, creating an unnatural effect.
  • →Failing to establish a strong value structure, resulting in a flat painting.
  • →Ignoring the importance of edges, making forms appear too sharp or undefined.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke