apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View from North Quay
View from North Quay by Akseli Gallen-Kallela

plate no. 2630

View from North Quay

Akseli Gallen-Kallela, 1891

oilRomanticismlandscapewaterboatsbuildingstreesskyrooftops
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmospheric perspective, as well as capturing the texture of foliage and rooftops with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, dividing the canvas into sky, water, and foreground elements.

  2. step 02

    Block in the large shapes of the sky and water with diluted washes of color.

  3. step 03

    Establish the horizon line and the distant landmass with dark greens and browns.

  4. step 04

    Add the basic shapes of the boats and buildings in the midground, paying attention to their relative sizes and positions.

  5. step 05

    Begin building up the layers of foliage in the foreground, using a variety of greens and browns.

  6. step 06

    Define the rooftops and chimneys with reds, oranges, and browns, using short, broken brushstrokes.

  7. step 07

    Add highlights and shadows to create depth and dimension in the foliage and buildings.

  8. step 08

    Refine the details of the boats and add reflections in the water.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre

secondary · titanium white · viridian green · cadmium red

Mix blues and whites for the sky and water, adding touches of yellow ochre for warmth. Use burnt sienna and cadmium red for the rooftops, and mix greens from blue, yellow, and brown for the foliage.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·broken color
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details in the foreground before establishing the background.
  • →Using too much paint and losing the transparency of the washes.
  • →Creating flat, uniform areas of color without variation.
  • →Ignoring the subtle color shifts in the water and sky.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or mineral spirits
  • ·linseed oil
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke